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One of the only drawbacks to CCD imaging compared to film astrophotography is
that film is generally much larger than a CCD chip, meaning more of the sky is
covered with a given telescope. There are new CCDs that have 35mm format
chips, but the cost is still high, so most imagers find themselves using smaller
cameras. Also, even with a large-format CCD, some objects are so huge that
they require mosaic techniques. Making a mosaic involves taking multiple
images with a CCD
camera, capturing a large object in smaller segments, and then piecing the individual
images together to create one large picture.
See the Advanced Imaging section for information on how to take
images for mosaics.
Start Simple
Begin using a black and white image for your first mosaic attempt.
Color balance can be the hardest part of getting individual images to match, so
start by eliminating that step. Learn the basics first and then move on.
(The Color Techniques section follows.)
Below are the two halves (top and bottom) of the Rosette Nebula. Even
through a short-focal-length refractor (4" f/6) and using a fairly large CCD
camera (ST-10XME) was used, it was not possible to capture this extremely large
object in one image (the Rosette covers the area of seven full moons).

Image Preparations
Begin by cropping out any rows or columns along the edges of the images which may appear
dark due to any overlapping that occurred while combining the individual CCD
exposures. In the image above of the top half of the Rosette, there is a
black line along the bottom of the picture that must be removed before making
the mosaic. If left in, dark lines along the overlapping areas of the
picture will appear in the final mosaic, prohibiting a smooth transition between
pictures.
Tip: Sometimes it is best to just crop a few rows and columns from all
around the images to avoid any problems.
Create New Canvas
Select File > New from the main menu or press Ctrl-N. In
the new window give the image a name and select an appropriate size for the
canvas. Make sure the new image is larger than the combined size of the
individual files, enough
so that there is plenty of room to spare on top, bottom, and sides. You
can always crop the image later, but give yourself enough room to work.
The example files above are each 2200 pixels wide and 1500 pixels tall, so a
canvas about 2500 x 3000 should be sufficient. For a black and white
image, choose Grayscale as the Mode (a color image would have a Mode of
RGB Color). A transparent background is okay, but white is probably the
easiest to work with, so set Background Contents to White.

Place the Images onto the Canvas
Select one of the image files as the active window, then choose Select > All
or press Ctrl-A to select the entire image. Select
Edit > Copy
or press Ctrl-C to copy the image.
Now choose the blank canvas as the active window and select Edit > Paste or
press Ctrl-V. This will place the copied image into the center
of the mosaic window, which is probably not at all where it needs to be.
Select the Move tool from the toolbar to shift the image.

For now just drag the image to its approximate location in the final image.
In this example, the top image is dragged to the top part of the blank mosaic
image.

Note: A new layer is created each time you paste an image into the
mosaic. Do not merge the layers until the image is finished as you need to
be able to manipulate the files independently to put the mosaic together.
Select the second image, copy as above, then paste into the mosaic image.
Choose the Move tool and drag the image to its approximate position in the
mosaic. Continue for each image until all the parts of the mosaic are in
place.

Tip: For a convenient shortcut,
just select the Move tool and click and drag each individual image into the new
mosaic file. A new layer will be created each time.
Aligning the Images
To align the images, choose the Move tool. Select one of the layers
containing a portion of the image in the Layers window. (If the Layers
window is not visible, select Window > Show Layers or press F7) In the Layers window,
run the Opacity slider down to about 50%.

You should now be able to see through one picture to the other in order to
align them. Using the Move tool, drag the images into approximately the
right position.

If it is not already, zoom in to 100%, or even 200%, using the
Magnify tool (keyboard shortcut Z).

Above: A close up at 100% of the unaligned mosaic
segments. Notice the matching stars which need to be aligned.
With the Move tool selected, use the arrow keys on the keyboard to shift one
image into registration with the other.
Tip: Holding the Shift key while
using the arrows will move the image in 10-pixel steps for larger movements.
In the Layers window, move the Opacity slider back up to 100%.

Zoom back in (if necessary) to see that there is probably a distinct line
where one image overlaps the other. Removing this is the key to the art of making
mosaics. It is pretty straightforward for a black and white image, and
making a grayscale mosaic first will teach you the basic techniques necessary to
go the next step and make color mosaics (covered in a later section).

Above: Close-up showing the line visible in the mosaic.
Either layer can be selected for matching, but if it is probably best to
choose the one which appears lighter or less contrasty (in this case the bottom
layer).
Select Image > Adjust > Levels or press Ctrl-L to open the Levels window. Generally, simply adjusting the middle slider
will match one image to the other. Occasionally, tweaking the right or
left slider will be necessary. Remember that moving the middle slider left
will brighten the image and moving it right will darken the image. In this
example the lighter-shaded layer was selected so the middle slider was moved
slightly to the right to darken the image to match the other layer.

Above: The Layers window adjusted to match the bottom half of
the Rosette mosaic to the top half.

Above: A close-up showing a seamless mosaic after adjusting
Layers.
Cleaning Up the Mosaic
Zoom back out to see the entire mosaic image. Select Layer > Flatten
Image or choose Flatten Image from the pull-down menu in the Layers window.
This will create a single-layer image.
Select the Crop tool and cut out the extraneous parts of the image that
overlap along with the white background canvas.

Final Touches
Once you have pieced together the mosaic you can use the techniques outlined
in the Aesthetic Image Adjustment section to enhance
the image as you like.

Above: The final Rosette Nebula mosaic. Click on the
image to view a higher resolution image (still about 3 times smaller than the
original mosaic file).
Next, Advanced Mosaic Techniques...

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