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Above: Optical layout of a typical refracting telescope
This section details the optical design and inherent
aberrations of refracting telescopes. For a more basic overview
of this design please see the
Refractors page. For a review of the optical design terms, see the
Optical Aberrations and
Optical Design sections.
Achromatic Refractor Design
A simple lens focuses different wavelengths of light to different points.
Specifically, red light is focused farther from the lens than blue light.
This is longitudinal chromatic aberration. If focused for the green light
to which the human eye is most sensitive, the red and blue colors will appear
out of focus, yielding a blurry image.

An achromatic refractor uses two
pieces of glass of differing optical properties to focus two colors to the same
point.

In the usual configuration a positive lens is made of crown glass.
This glass has a low dispersion, spreading the colors out to a lesser extent.
Then a flint glass element, with a higher dispersion, is used as a negative
element. Chosen correctly, this results in the red and blue wavelengths
coinciding at the same focus. The green is still slightly different, but
the difference is relatively small. (In the diagram above, the lens on the left is the positive crown, the second lens is the negative flint.)
The lower the dispersion of the crown glass, the less the residual chromatic
aberration (the difference between green and red/blue focus). Many
telescopes now use extra-low dispersion (ED) glasses to minimize chromatic
aberration. These are sometimes called apochromatic refractors, but do not
adhere to the strict definition of an apochromat as outlined below.
The two lenses together make up the telescope
objective. There are two basic
configurations for the objective: cemented and air-spaced. A cemented
objective has the same curvature on the inside surfaces of the lenses (the
second and third optical surfaces). This eliminates possible degrees of
freedom from the design. This type of objective will normally have more
coma than an air-spaced objective and is usually only seen on
designs with very
small apertures and slow
focal ratios. An air-spaced objective gives
two additional degrees of freedom (another surface curvature and the thickness
of the air space), allowing better control of coma.
Achromatic Refractor Aberrations
The primary aberration in an achromatic refractor is
longitudinal chromatic
aberration. Lateral color tends not to be an issue. Both
coma and
off-axis astigmatism are present and can be problematic for wide-field imaging.
An air-spaced objective has less coma than a cemented one.
Doublet
objectives suffer from slight spherochromatism, where
spherical aberration is
eliminated in green light but there is slight undercorrection in red and a
slight overcorrection in blue. Field curvature exists, so wide field
photography may be difficult without a corrector lens, although the limiting
factor with an achromat is almost always the chromatic aberration. As with
most telescopes, distortion is negligible.
Apochromatic Refractor Design
The strict definition of apochromatism is having three wavelengths of light
focusing to the same point. This normally requires a third lens element in
the objective. The normal configuration is a positive, low-dispersion
crown, combined with two high-dispersion flints, one negative and one positive.
The lenses can be cemented, air-spaced, or a combination thereof.
Oil-spaced triplet lenses are sometimes seen as well, where the air space is
filled with an immersion oil. Spaced triplets, like spaced doublets, have
more degrees of freedom, allowing better correction of aberrations.

In a triplet, red, green, and blue light is brought to a single focus.
This leaves other colors such as violet out of focus, so there is residual color
as in an achromat, but the amount is significantly less. The greater
number of lens elements also means better correction of other aberrations such
as coma and spherochromatism.
Alternate designs are possible, such as the Petzval four-element design
popularized by TeleVue. This design uses a long-focal-ratio (over f/10),
low-dispersion doublet in combination with two elements farther down the optical
path which speed up the focal ratio and flatten the field. The high number
of degrees of freedom allow this design to be very well corrected, even at
speeds as fast as f/5. This makes it an ideal photographic instrument.
Apochromatic Refractor Aberrations
Some residual color exists in the wavelengths outside the visual range.
This may result in some violet halos with less-than-ideal designs when used for
imaging, but visually a true apochromat should show no significant color
aberrations. Coma is significantly reduced, in the neighborhood of 3 to 4
times less than a comparable achromat. Field curvature in a triplet is
comparable to that in a similar achromat. Field flatteners are usually
available to eliminate curvature for photographic applications. Designs
like the Petzval eliminate field curvature.

Telescope Design
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