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The following section describes in detail how various optical components work
to form an image in a telescope, and how they modify or correct the aberrations
present. This is intended to give more information to those who want to
know exactly how all the components in their telescopes--from mirrors to focal
reducers--function. It will also help explain why there are so many
different designs available and what are the advantages and disadvantages of
different designs.
Mirrors
The main purpose of a telescope is to gather light.
Reflecting
telescopes do this using mirrors. There are a variety of reflecting
optical designs in existence, and each uses a different combination of mirror
types to produce different results in terms of focal length, focal ratio, and
aberrations present.
Concave Mirrors

The primary mirror in a reflecting telescope is a concave mirror, designed to
focus incoming light to a point. The converging light cone from this
mirror can then be intercepted by another optical component to modify the beam,
or the focused light can be sent to an eyepiece or camera. The greater the
curvature of the mirror, the shorter the distance to focus, the
focal length.
Deeper curves are harder to manufacture and have inherently more aberrations.
They do, however, allow a shorter overall instrument and faster (smaller)
focal ratio.
Convex Mirrors

Convex mirrors disperse light rather than focus it. They are used in
conjunction with a primary concave mirror. The effect of placing a convex
mirror into a converging light path is to extend the distance to the
focal plane. This increases the effective focal length and focal ratio.
This is how Cassegrain telescopes create a long focal length in a short tube.
The greater the curvature of a convex mirror, the more it disperses light and
the longer the resulting focal length will be.

Above: How a Cassegrain telescope creates a long effective focal length
in a short tube
Aspheric Mirrors
Mirrors can be ground into various shapes. The simplest and
easiest-to-make shape is spherical. A single spherical mirror cannot,
however, focus light to a single point. The only shape that
can achieve this is a parabola. This is why satellite dishes and the audio
dishes along the sidelines of NFL games are parabolic.
Newtonian
telescopes are a single-mirror design (if the flat diagonal mirror which has no
optical effect is ignored), and therefore must use a parabolic mirror to focus
light.

Above: A spherical mirror does not focus all incoming
light to the same point

Above: A parabolic mirror focuses all incoming light to
a single point
Cassegrain telescopes must also use aspheric mirrors to create
sharp images. Depending on the design, the mirrors may be parabolic,
hyperbolic, ellipsoidal, or even spherical (as long as at least one is
aspheric). See the box below for details on the different shapes.
Commercial Schmidt-Cassegrain telescopes (SCTs) normally use two spherical
mirrors and the resulting aberrations are corrected with a lens--see the next
section for details on lenses.
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Understanding Mirror Shapes
A variety of shapes are used in manufacturing various
telescopes. Below are the different possible shapes for mirrors and the
telescopes that use certain combinations of mirrors and the reasons for
those mirror choices in a design.
Spheroidal -- The simplest curved mirror shape is
that of a sphere. Simply grinding two pieces of glass together will yield a
spheroidal shape.
Paraboloidal -- A parabola is a slightly more complex shape than a
sphere, but is not too much more difficult to make. This is the simplest of the
aspheric (non-spherical) shapes.
Hyperboloidal -- A hyperbola has a more complex shape than a parabola
and is thus very difficult to manufacture. Hyperbolas are larger
curves than
parabolas (see below).
Ellipsoidal -- Ellipses are smaller curves than parabolas but are still
difficult to manufacture.
The image below shows the mathematical shapes behind each
mirror design.

Above: The black line represents a flat
mirror. Only two curved shapes have exact specifications: the sphere and the
parabola. The orange line represents a sphere, which is defined by only one
mathematical equation. The green line represents a parabola, also defined
by a specific equation. Ellipses and hyperbolas, on the other hand, have
infinite variety. The blue line represents a specific hyperbola, but any
curve in the blue section of the graph would be a hyperbola. Likewise the
yellow curve represents a prolate ellipse (in which the foci are parallel to
the optical axis--in other words, the ellipse's long axis runs along the
optical axis), but all the curves within the yellow area would be prolate
ellipses. The same is true for the oblate ellipse family, which inhabits the
red part of the graph. Oblate ellipses have their long axes perpendicular
to the optical axis. |
Lenses
Refracting telescopes use lenses rather than mirrors to focus light to a
point. This complicates the design since multiple lenses must be used and
only certain combinations of glass types will produce a functioning telescope
objective. Binoculars use the same principles
since a binocular is
essentially two small refractors hooked together. Lenses are also used to
correct aberrations in some reflecting telescopes and are the basis for the
accessories outlined in the next section.
Positive Lenses

A positive lens causes incoming light to converge, analogous to a concave
mirror. The difficulty in using a lens instead of a mirror comes from the
fact that lenses refract light rather than reflect it. Reflected light
behaves independent of wavelength; all the colors focus to the same point.
This is not true of refracted light. A simple lens focuses different
wavelengths of light to different distances from the lens. Essentially the
lens has a different focal length in each color. For this reason, a single
positive lens is not sufficient to make a functional telescope.
Negative Lenses

A negative lens causes incoming light to diverge, similar to how a convex
mirror operates. A negative lens is used in combination with a positive
lens to correct the color aberrations of a single lens. If the right types
of glass are chosen, the color aberration of the negative lens will cancel that
of the positive lens. The result is an overall positive lens, but with
less color aberration. It turns out that with two pieces of glass, the
aberrations can only be exactly cancelled for two wavelengths. But if the
wavelengths are chosen right, the remaining aberration is very small and a
well-corrected telescope is the result. A lens of this type is called
achromatic. Using more than two pieces of glass allows for even better
correction, resulting in an apochromatic lens.
Glass Types
In a typical doublet objective (where two pieces of glass are used, as
described above), the two components must have carefully selected properties to
allow them to work as an achromatic lens. There are hundreds of glass
types available, but they can be grouped into two families: crowns and
flints. One of the two main properties of a glass type is its
dispersion. Dispersion describes how much a glass spreads out the
different colors of light. The greater the dispersion, the more the light
is spread out. Glasses with higher dispersions are called crowns, while
those with lower dispersions are called flints. Combining a
high-dispersion crown with a low-dispersion flint allows an achromatic lens to
be made. Certain combinations work better than others, but in general the
lower the dispersion of the flint, the better the overall color correction of
the lens. Hence the use of extra-low dispersion (ED) glass in high-quality
refractors.
Corrector Lenses
Some reflecting telescopes use a correcting lens to eliminate residual
aberrations. Such a telescope is called catadioptric. The most
common examples are the Schmidt-Cassegrain and
Maksutov-Cassegrain telescopes.
These telescopes use a corrector lens, placed over the full
aperture of the
telescope, to eliminate the aberrations present from using spherical mirrors in
the reflector design. (Some catadioptric telescopes use an aspheric mirror
to eliminate other aberrations, but the full-aperture corrector is still
required.) The corrector lens in a Maksutov-Cassegrain is spherical but
thick, while the Schmidt-Cassegrain uses a thin but aspheric lens. Other
telescopes incorporate sub-aperture corrector lenses somewhere in the light path
to correct aberrations. Sub-aperture correctors are often seen in
Ritchey-Chrétien telescopes to eliminate the inherent
astigmatism in the design.
Accessories
A variety of accessories are used to enhance telescope optics.
Barlows
are used to increase magnification, while focal reducers do the opposite by
reducing magnification. Other accessories correct aberrations. All
use the same design principles as telescopes themselves.
Barlow Lenses

Above: How a Barlow lens increases focal length
A Barlow lens is essentially just a negative lens. As was seen above,
the effect of a negative lens is to disperse light. By dispersing the
converging beam from a telescope, a Barlow increases the distance to the focus
point, thereby increasing the effective focal length. A standard 2x Barlow
has the effect of doubling the focal length of a telescope. A Barlow
normally consists of a doublet lens, used to correct any inherent aberrations.
The combination of glass is done just as in a telescope
objective, only the
resulting lens is overall negative rather than positive. Some Barlows
incorporate a three-element design, and more advanced designs even use four
elements to reduce as many aberrations as possible, allowing for very
high-powered viewing or imaging without degrading the image quality.
Focal Reducers

Above: How a focal reducer decreases focal length
A focal reducer works opposite to the way a Barlow functions. It is a
positive lens and has the effect of causing the incoming beam of light to
converge faster, shortening the focal length. This also decreases the
focal ratio of the instrument. The result is a wider field of view and
faster photographic speed. A focal reducer is essentially a positive lens
as in a refractor (although three to four elements are normally used for the
best correction). The shorter the focal length of the focal reducer, the
greater the reduction factor when placed into the optical path of a telescope.
In addition to the focal length of the reducer being important, the distance
from the reducer lens to the focal plane is critical to determining the
reduction factor. Placing the focal plane closer to the reducer results in
a longer overall focal length, while moving the focal plane away from the
reducer decreases overall focal length. As an example, a standard 0.63x
focal reducer has a focal length of about 250mm and reduces an f/10 telescope to f/6.3. This is true if the
distance from the reducer to the focal plane is about 100mm. If this
distance is decreased, the focal ratio will be larger than f/6.3.
Increasing this distance will make the telescope faster than f/6.3 (although the
image quality suffers).
Field Flatteners

Most telescopes have a
curved focal plane, meaning the points of best focus
across the field form a curve. Visually this presents little problem.
For imaging, however, the curved focal plane will not coincide with the flat
plane of the CCD chip in a camera. To correct this, a field flattener can
be used. A field flattener is a lens (usually composed of two elements)
that is placed in the light path just ahead of the focal plane. The result
is to remove or reduce the field curvature and allow the image to focus sharply across the
full field of the CCD. Some telescope designs incorporate a field flattener into the
telescope to produce a flat field without any accessory optics.
Coma Correctors
Newtonian telescopes inherently have
coma, an off-axis
aberration that distorts star images. This becomes especially problematic
for wide-field imaging, although it can be disturbing visually in
large-aperture, fast-focal-ratio telescopes. A coma corrector is a lens
placed just ahead of the focal plane which cancels out the telescope's coma,
resulting in much sharper stars at the edge of the field. Since the coma
corrector is a weak negative lens, the effect is to increase the focal length
slightly.

Optics 101
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